Showing posts with label The Giver. Show all posts
Showing posts with label The Giver. Show all posts

Friday, August 1, 2008

The Giver by Lois Lowry


I don't know about "Brave new world" or the film "Pleasentville" and I've never read "1984" by George Orwell, only excerpts in school. But as far as children's literature is concerned this is an extraordinary book. It kept me glued to it for hours. I had to know how this world worked, what were its secrets, what would happen to its protagonist. It was a real page-turner. It wasn't a simple read though, like others have said. It was quick, but it made me think about it for days. It was scary in a deep, subtle way. It raised strong, elementary emotions, and it made me shiver trying to imagine how a world like that would be possible.
The story is set in an indefinite far future, where society is organised in small communities, all designed with the same scheme: everything and everyone have to be up to the standards of the community. Everything is regulated by fixed and almost unchangeable laws. Individuality is not an option and neither is free will. This is the price that humanity have chosen to pay to avoid hunger and violence and war.
Families, called family units, are not decided by love or anything else but a Community Council which finds the right match for every person, thus creating the perfect harmony in the unit. Children are also regulated by a scheme: one boy and one girl, born by a group of birth-mothers, are allocated to one family who requests them.
At first this system seems to be the most organised way of living. There's no struggle for survival because everything is provided, everyone is kind and equal, though some "assignments"( not jobs) are less honourable than others. Everything is tidy, and quiet and peaceful. But there's something eerie is this peacefulness.
You can feel that something is not quite right. Hints are given here and there: people being mysteriously "released" (and you can guess pretty quickly what that means), an impersonal Voice that speaks through a microphone and gives orders and warnings. Even a rule that might sound positive and open-minded, the sharing of dreams in the morning and of feelings in the evening, has something mechanical and disturbing about it.
And then you start asking questions: where are the books, the writers, the artists? Will there be an assignment specifically for them? Because certainly they can't live without them.
"Stories are the most important thing in the world. Without stories, we wouldn't be human beings at all.” said Philip Pullman and so I kept reminding myself.
But it's not till Jonas, the boy who's the main character, has his first wet dream, or the Stirrings, as his parents would call it, that you realise how controlling and de-humanising this society is.
Shortly after Jonas' life changes completely when he is selected as the new Receiver of Memory. And here I stop. I've already said too much. I'll leave it to you to find out what that means. If you've never heard of it, like me before, then you shouldn't be spoiled with more informations. If you've read it, I'll like to discuss it with you in the comments!

Monday, June 2, 2008

The Giver by Lois Lowry

My first thoughts upon closing the cover of this prize-winning young adult novel: what a wonderful, powerful story and what a horrible, confusing and disappointing ending! I'm not opposed to ambiguity, but be warned if you haven't read it that the ending is beyond ambiguous. I'm not sure how I would have wanted the novel to end, but I'm not the author, only the reader. I immediately looked to see if there was a sequel, and there are not sequels, but rather "companion books." So perhaps my questions will be answered and my angst over the fate of certain key characters resolved.

The Giver is a great novel, worthy of the Newbery Award it received. It brings up the issues of freedom vs. order and security, emotion vs. intellect, and the utility and purpose of memory and history. At first, Jonas, the narrator of the story, seems to live in a utopian community. No hunger, no sickness, very little pain, a society of stability, order and contentment. However, as the story progresses, the reader begins to see hints that Jonas's world might not be as perfect as it looks. His mother, who holds a prominent position at the "Ministry of Justice", is disturbed about a repeat offender who has broken the rules for a second time. The third offense means release from the community. Jonas's father is a bit concerned about a baby at the Nurturing Center where he works who is not thriving and cries at night. Jonas himself is apprehensive about his Twelve Year ceremony, coming up in about a week, in which he will receive his apprenticeship assignment, the job assigned to him for his life's contribution to his community. Then, there's the airplane that flew over the community in direct contradiction to The Rules. All in all, it's an unsettling time for Jonas and for the community.

The Giver goes from unsettling to chilling in a little under 200 pages. Short but memorable. However, I'm not the only one who found the ending less than satisfying.

Thursday, April 17, 2008

The Giver by Lois Lowry

My recent reading of The Willoughbys (see my review here) inspired me to re-read one of my favorite books by Lois Lowry, The Giver. After reading the lighthearted and irreverant The Willoughbys reading The Giver left me astounded at Lois Lowry's versatility and complete and utter brilliance as an author. Do I sound a little stalkerish here?

Here's a brief rundown The Giver if you haven't read it. (And if you haven't read it, you should. Seriously.)

The book begins when Jonas is about to turn 12. He's very nervous because this year at the Ceremony of Twelve, all of the "Twelves" will find out what career path has been chosen for him. You see, Jonas lives in a futuristic Utopian society where everything is carefully planned from the parents you receive to your spouse to the age when you receive a bike. There is no pain, no suffering, and those who do not fit in the community are "released" to "Elsewhere."

At the Ceremony of Twelve, Jonas' friends receive careers that perfectly complement their personalities, but Jonas receives the most honorable position of The Receiver of Memories. This important person receives all of the memories of the world--good, bad, happy, sad--and an old man, the current Receiver of Memories, must pass them onto Jonas. Through "The Giver," Jonas learns what snow is, what sunshine feels like, and what the color red is. But along with these happy/comforting memories, he must experience pain as he sees the horrors of warfare, starvation, and more. Jonas soon realizes the unjustness of the perfect society in which he lives, and he and The Giver develop a plan to make things different. However, as with most "perfect plans," things don't go the way they're supposed to, and a perilous journey lies ahead for Jonas.

Through this simplistic, yet gripping narrative, Lois Lowry brings us a thought-provoking book that stays with you for a while. What are the risks of living in a "perfect" society? What are the benefits of "sameness?" What sacrifices must be made to have a society free of pain and worries?
Back in my days as an English teacher, I developed a unit of instruction based on this book for my 7th graders. The boys and girls alike really enjoyed the book, and it led to many in-depth discussions. One of their favorite activities was to write a final chapter to the book, detailing what happens to Jonas. I was always pleasantly surprised at their creativity, their different interpretations, and the care they took to write this final piece.

I highly recommend this book.

Sunday, March 9, 2008

The Giver

Wow. I don't even know where to start with my thoughts about this book - there is just so much in it, so many ideas, so much to talk about. And I read it with my eleven year old son, so I have a few of his thoughts to share, too.

My first reaction was "Thank goodness for the Newbery Project, because otherwise I might never have read The Giver" (or Holes, or Maniac Magee, or Out of the Dust or many other newly discovered classics). And The Giver was every bit as thought-provoking and compelling as the best adult science fiction I've read - it would be a shame to have missed this just because it's a children's (or YA) book.

Since so much has been written about The Giver already, I'm going to focus on a few of the things that struck me (and my son) most about Lowry's dystopia.

It's a culture of Sameness - where conformity is ruthlessly enforced. My son both laughed and was shocked at the "May I have a smack, please?" mistake (and the resulting punishment) that Jonas' friend Asher had as a Three. A three-year-old. Physically punished for weeks for a slip of the tongue. "That's harsh," my son said. (He suspected the meaning of Release by the end of the second or third chapter, by the way, but told me he was hoping it was something different).

I was taken aback by the idea of a society that didn't feel sunshine, and that had done away with weather and hills. Not to mention red apples, love, grandparents, decisions, and the past. Lois Lowry is one incredibly creative person, to have come up with this world (this brave new world? strange new world?) and its scarier than Stepford society. And she writes about it so cleanly (with such precision of language!), so eloquently.

My son questioned how people can think that living the way the people in the book did was normal, and we had a good discussion about how people can get used to all kinds of strange things as "normal". He thought the ending was happy. I'm happy to leave it ambiguous, and am already half way through Lowry's companion book (not a sequel, exactly), Gathering Blue. And will no doubt be reading Messenger after that.


I'd also like to note that I loved the cover of this book, since I've snarked about so many of the covers (especially the 70's and 80's reprints). It's nice to see a cover that actually "says" something about the story.

And here's a very cool coincidence - I thought this might be a book we wanted to keep, so instead of getting it from the library I requested a copy of it from paperbackswap.com. The book we got was not only signed by Lois Lowry, but was made out to someone who shares a name with my son. This book is definitely a keeper.

Sunday, February 24, 2008

The Giver by Lois Lowry

Jonas lives in a perfect world. Everything in the world has been carefully planned and designed and carried out to make the world perfect. Each family has exactly one boy and one girl. All children get a bicycle at nine, no sooner, no later. At dinner, each family member brings up the feelings of the day; at breakfast, each family member relates his dreams. All families. Every day.

Twelve is the big year, the year each child will be assigned his job, the perfect job just for him. Jonas is eager, though perhaps a little anxious, to turn twelve and learn what his role in his society is to be.

He is shocked to learn that he is to become the Receiver of Memory, the one person in the society who holds all the memories, both good and bad, happy and sad, of the past in his head. He is given special privileges: he can ask any questions he wishes of anyone and he can lie. He studies with an old man, the former Receiver of Memory, a man who asks Jonas to now call the Giver.

And the Giver does given memories to Jonas: color, snow, the sky, families, pain, and – most powerfully – love.

As Jonas learns the black truths behind the perfect world he lives in, he and the Giver realize it is up to them to change this perfect world.

Monday, November 19, 2007

The Giver Asks: What Does It Mean to Be Human?

Imagine a world in which all of your choices were made for you, from your daily wardrobe to your family members to your career to your spouse. Think of a world in which you were entirely safe, where you were permitted to take no risks, and where physical pain could be erased with a single dose of medicine. Picture dwelling in a whitewashed world where everyone lives and thinks in exactly the same way, and questioning the rules leads to public chastisement and even "Release" from the community.

Jonas, star of Lois Lowry's The Giver, lives in just such a community. For 12 years, he has dwelt within its borders, attending school, mingling with friends and abiding by the strict rules that make his town the peaceful place it always is. Like all of his classmates, Jonas is looking forward to the December Ceremony when he will receive his "Assignment." This will be his career, which could be anything from Laborer to Doctor to Road Crew Maintainer. To his shock, Jonas learns he will be the new Receiver. The position comes with great honor, but even greater secrecy. Jonas receives a list of rules that will govern his training period, which allow him to do two things which are strictly prohibited in his community: to ask questions of anyone and to lie. Disconcerted, Jonas begins his training with The Giver, an elder who sags under the weight of his responsibilities. The Giver explains Jonas' new responsibilites: he must carry all the memories of the world - from sunshine, to sledding, to war, to starvation - so that his community will be free to live their peaceful, doubtless lives. In essence, he will feel all their emotions for them. As The Giver transfers his memories into his new apprentice's being, Jonas' dull world explodes into a dazzling array of color, sensation and emotion. Some of the memories Jonas receives are terrifying - war, loneliness, abandonment - but others are so powerful - love, family, warmth - that he realizes how empty his real life is. Now that he is able to ask questions freely, Jonas finds himself questioning the life he has been leading - why is he not allowed to have choices? Why can't families have more than the 2 children allowed by the Elders? And what does it really mean when someone is "Released" from the community?

As Jonas ingests this new knowledge, he knows that he can never again be satisfied with his dull, flavorless life. Together, he and The Giver hatch a plan to open the peoples' eyes. When their plans go horribly awry, Jonas suddenly finds himself on a terrifying journey to find "Elsewhere," a place that may or may not exist. Without the promised memories of courage to bind him up, Jonas must rely on his own wits and bravery to save himself, his future and the one person he truly loves. That's the story in a nutshell, but this book isn't really about the main story. As one reviewer put it, "The simplicity and directness of Lowry's writing force readers to grapple with their own thoughts" (Booklist, Starred Review). Lowry's story is so unadorned that it provides the perfect canvas for infinte thoughts, opinions and analyses. Lowry, herself, says,

...The Giver is many things to many different people. Peoplebring to it their
own complicated beliefs and hopes and dreams and fears and all that.
At the very least, it's a story about what it means to be human. To me, its message is that without choices, experience, risk and passion, we are not fully human.

I don't know if Lowry meant for the book to have any religious applications, but to me The Giver symbolizes Jesus Christ, at least to some degree. When he accepts memories for other people, he swallows some of their pain, leaving them comforted. Their pain still exists, but only dimly. This is what Christ does for us. Our suffering weighed on Christ (as it does on The Giver), as evidenced by his tortured cry, "O my Father...let this cup pass from me" (Matthew 26:39, KJV) in Gethsamane, but He knew His duty and thus carried our burdens for us. Like Christ, The Giver desires that all men have their agency so they can learn wisdom through their choices. And like Jesus, The Giver knows he must help his people through the pain that knowledge and agency can bring. Like Lowry said, we bring our own convictions to the book and this is the interpretation to which I kept returning. The one issue I had with this book is the very ambiguous ending. I'm a reading simpleton, who loves endings which neatly wrap up all of the story's loose ends. Paradoxically, I hate predictable endings. Anyway, The Giver ends in a way that leaves it VERY open to interpretation. Lowry calls it an "optimistic ending," but insists that the true ending exists only in the mind of the reader. As aggravating as that is for a neat-endings-junkie, it's also a sign of a truly great novel - one that makes you think long after you've closed the book.

Grade: A+

This review is also posted on my blog, Bloggin' 'Bout Books

Tuesday, November 13, 2007

The Giver - 3M's Review

The Giver
by Lois Lowry

1993, 179pp

Newbery Medal

Rating: 4.5



I really, really liked this book. It is another "Big Brother" story similar to Fahrenheit 451 or 1984. Scary, scary.

Jonas is eleven years old. When he is twelve, he will receive his "assignment" or job from the Elders of his community. Everything is decided by the Elders. Who marries whom. Which occupation you will have. Which children you will raise. And even who has to be "released" from the community. When Jonas is selected for a special position that only one other person in the community has, it is considered a very high honor. What Jonas discovers about this "honor" changes his life completely.

I read this for the Banned Book Challenge. I'm not sure why it would be contested. Perhaps because there is some talk about the "stirrings" of beginning s* x u ality in Jonas. I didn't have a problem with this, but I'm really glad I read it before I gave it to my 13 and 12 year old sons to read. This book will make for a great discussion.

Sunday, October 21, 2007

The Giver by Lois Lowry

Stars: *****

This has long been one of my favourite books, if not my absolute favourite book. I read it in grade school the first time and although I loved the book, I hated studying it.

If by some chance you happen to have not heard of this book it's the story of Jonas, who lives in a strictly controlled community. Every "family" has two children, one boy and one girl. You apply for a spouse and children and they are assigned to you. No one sees colours, the weather is strictly controlled, everyone celebrates their "birthday" on the same day in December and each year they get something new or get to do something new. There are strict rules. When he turns twelve he is singled out to receive special training from The Giver. The Giver holds the memories of the true pain and pleasure of life. Now it's time for Jonas to receive the truth. There is no turning back.

The Giver, besides being the 1994 winner of the Newbery Award is also an ALA Best Book for Young Adults, and ALA Notable Book for Children, Winner of the Regina Medal, A Boston Globe-Horn Book Honor Book, A Booklist Editor's Choice and a School Library Journal Best Book of the Year.

It's interesting to think about what life would be like if everything was controlled and chosen for us. There are definite pros and cons. I recommend this book to everyone, adults included.

Saturday, July 28, 2007

Feeling Pensieve about The Giver

In her blog, Bookworm recently posed a question about how one might differentiate between a literary homage and a literary rip-off. As I read The Giver (published in 1993), I was fascinated to see myself staring into Dumbledore’s pensieve (first revealed in Harry Potter and the Goblet of Fire, published in 2000) as the bearded, elderly mentor chose memories (magically presented from an omniscient point of view) to share with his youthful pupil. Receipt of the memories is a bittersweet experience for the student. In Harry Potter, the pensieve is a useful tool for a privileged few to access. In The Giver, memories are forbidden for most people. In each case, the pupil had been pre-ordained to bear a great burden on behalf of the community, and needed to be fortified with knowledge from the past in order to free loved ones from unpleasantness that would otherwise befall them.

In her June post about The Giver, Alicia asked: Is it possible to create a compelling story (about regimented eu/dys-topias) in which the protagonist is persuaded by the merits of and chooses to remain and support the society despite knowledge of its shortfalls? The wizarding world doesn’t nearly reach the level of regimentation of the society described by Lois Lowry (others have pointed out The Giver’s similarities to the planet in A Wrinkle in Time, and I also recall a Star Trek: Next Generation episode, in which Wesley Crusher had a close call after falling into a flowerbed). Taking gifted children away from their families to be schooled at Hogwarts, a sorting hat and a room full of prophecies are the main things I can think of where Rowling approaches regimentation.

Homage? I loved both books, but it is interesting to see how one author (perhaps) draws inspiration from another and uses it in a new way. J.K. Rowling and Lois Lowry both explore memory, using similar devices, and reach somewhat similar conclusions about the value of love, loyalty and innocence. I’ve got no problem with reinforcing those lessons. I’ll vote for homage.

Thursday, June 7, 2007

The Giver

I loved this book. Unfortunately, its surprise plot twist (not twist, really, but, you know) was spoiled for me in advance. It was offered as a book group choice at our school's third grade and the teacher let parents know children would be reading a book "on euthanasia."

I wish I'd been able to read it without that foreknowledge. I suspect I would have guessed the true meaning of "release" anyway. But I'd have liked the chance.

This became our book group's book for last month. This interesting question arose, which I share with you here:

In stories about regimented eu/dys-topias (1984, The Matrix, Brave New World, etc.), the protagonist always escapes. The societal liberation is brought about by someone who fights the status quo, either from within, or by abandoning it. Is it possible to create a compelling story in which the protagonist is persuaded by the merits of and chooses to remain and support the society despite knowledge of its shortfalls?