Criss Cross

Author: Lynne Rae Perkins
Narrator: Danielle Ferland
Published by: Harper Childrens Audio (2006)
Originally Published (2005)
Length: 5 hours, 8 minutes
Award: Newbery Medal
My Rating: 2/5
Amazon Rating: 3/5 (72 customer reviews)

This is a hard book to review--I've written something and erased it about ten times now. Can I just say that I didn't like it? The first disc was frustrating to listen to, because I didn't really know that there wasn't much of a plot, and I kept waiting for something to happen. The narrator's voice was completely wrong for the tone of the book. Once I accepted that this wasn't a plot-driven novel, it got a little better, but I have to admit that the only reason I continued to listen is because when I have an audio book in the car, I follow the path of least resisitance, which is to not take out the CD. There are moments when Perkins really captures the essence of adolescence, and looking back to when I was younger, I could identify with some of the feelings and agree that that is how things felt. I just am not sure that teens living in the midst of this time of transition in their lives would find as much meaning in it. It had more of a reminiscent feel, maybe because the setting is sometime around the 70's.
I assume this won the Newbery Medal because it was somewhat innovative. I think some of that quality was lost in the audio version (haikus, song lyrics, etc. that weren't so obvious listening to.) I much preferred Princess Academy by Shannon Hale that won the Newbery Honor for that year.
Bottom line: Writing about nothing may have worked for Seinfeld, but not for Criss Cross. If you've got the five hours it takes to listen to this audio book, watch about 10 Seinfeld reruns instead!

Dicey's Song - 1983

Dicey's Song picks up right where Homecoming leaves off--the Tillerman children tentatively settled in with a brusque and independent grandmother who has cut herself off from the surrounding community. Gram warily (but deep inside lovingly) welcomes her grandchildren, who have come with their own experiences of being shunned by their peers in the past for having an unconventional family situation. Gram and the children come to meet a whole cast of characters in the novel who are likewise loners or unusual in some way. Obviously, this theme is woven throughout the book, and I egocentrically love it because I can identify with it. And I would imagine that most people have felt at sometime or other that they just didn't "fit in." I grew up in a loving home in which they query was often made, "Was she switched at birth?" I took an online personality test as an adult with these results: "People who know you can only desribe you as possibly being from a different planet or universe." My mother wholeheartedly agreed. I have come to neither love nor hate whatever it is that makes me different, but accepting that it just IS, and it is not an excuse or reason to be antisocial. I think this is one of the lessons Dicey learns as she gradually opens herself up to others, despite the very real fear of vulnerability. She also learns thetricky art of "give and take" in relationshipsIn attempts to reach out to others and receive in return, the results are rarely neat and tidy, but necessary all the same. As Gram has learned through her own mistakes:

"I got to thinking—when it was too late—you have to reach out to people. To your family, too. You can't just let them sit there, you should put your hand out. If they slap it back, well you reach out again if you care enough. If you don't care enough, you forget about them, if you can."

Good Masters! Sweet Ladies! A Brief Review

I had read raving reviews about this, but skimming through it I had my doubts about whether I would like it. I just couldn't see what the fuss was about. But this collection of monologues and dialogues of various characters living on a manor in England in 1255 is truly exceptional. I think the strength is in how she taps into the emotions and desires of the characters in a way that we can relate to. It is moving in parts, as well as humorous and educational. I would love to see this performed by an actual class!

Island of the Blue Dolphins

Author: Scott O'Dell

Originally published by: Houghton-Mifflin (1960)
Length: 184 pages
My rating: 4.5/5
Awards: Newbery Medal

This simple, lyrical account of a young woman left behind on an island in the Pacific for many years was a surprising page-turner for me. The action begins right away when the Aleuts from the north come to hunt otters on Karana's island, culminating in a battle that leaves her father and many of the other men dead. A year later, the inhabitants of the island leave on a "white-man's ship" to relocate. When Karana's brother is left behind and the chief will not go back to get him, she jumps out of the ship so he will not be abandoned. What follows is her story of her industrious survival on the island year after year. Although told in a very matter-of-fact style, it is heartbreaking at times, but she also manages to find beauty and fulfillment in her solitary life as she waits for the ship to return for her. Amazingly to me, she's never angry with the people who left her behind, or resentful that no one has returned for her. Her anger is focused on the pack of dogs who kill her brother. She makes it her mission to conquer them, but ends up finding her closest companion among them. She is there for so long that the thought of the ship returning for her was bittersweet, and I wondered if in fact it would ever come.
I did not realize until the afterword that this is based on the true story of the "Lone Woman of San Nicolas" who lived on one of the Channel Islands off the coast of Santa Barbara from 1835 to 1853. I would definitely recommend this book to young readers as well as "less-young" readers (that's what I call myself these days--I will never be "old". Thank goodness for hair color!)

The Tale of Despereaux by Kate DiCamillo

Have you ever read a book that made you feel as though you were wrapped up in a warm blanket, sipping hot cocoa, and all was good in the world? Looking at the wonderfully romantic cover of this novel, with a gallant-looking mouse grasping a sword-like needle, and running with a determined look in his eye, I was prepared for some feel-good magic. That illusion ended on page one, and my imaginary quilt was ripped way, and the hot cocoa spilled. When Despereaux the mouse is born "within the walls of a castle," the only one of his litter to survive, his mother complains, "All of that work for nothing" and labels her newborn son a "disappointment." But this is nothing compared to the mouse council who sends Despereaux to his probable death to the dungeons for talking to a human princess; the prisoner who has sold his daughter for a red cloth, a hen and a handful of cigarettes; the man who buys the girl, Miggery Sow, and beats her so badly, that her ears look like cauliflower, and the rats who find joy in making others suffer. The narrator, who often directly addresses the reader, aptly admits (on page 183),

"The story is not a pretty one. There is violence in it. And cruelty. But the stories that are not pretty have a certain value, too. I suppose. Everything, as you well know (having lived in this world long enough to have figured out a thing or two for yourself), cannot aways be sweetness and light."

And I suppose that is true, which is why I still liked the book, blanket-free though it was. There is "sweetness and light" to contrast the darkness of this tale. There is the big-eared Despereaux, who is drawn to the light and falls ridiculously in love with the Princess and unselfishly resolves to rescue her. There is the Princess Pea, whose heart, though not free of dark feelings (are any of our hearts?), feels compassion and empathy even for those who have wronged her. And there is the hope, that even though there is evil in the world, if we seek the light, we can find our own happiness, no matter how ridiculous it may be:

"The world is dark, and light is precious."